Bacteria / inizio e fine del paesaggio
Baceria / landscape’s beginnin and end
Lambda print, cm 120×220
Scape – inizio del nuovo paesaggio
Scape – beginning of the new landscape
Lambda print, cm 115×175
I miei batteri intestinali (escherichia coli) si dispongono in file ordinate
My intestinal bacteria (escherichia coli) in orderly line
Lambda print, cm 125×160
Paesaggio di Nicolas De Staël
Nicolas De Staël’s landscape
silver halide paper, cm 50×60 each
exhibited: Galleria Lipanjepuntin Trieste 2009
Rothko in salotto
Rothko in living room
52 pigment prints, push-pins, 7 golden frames, cm 240×460
exibited: “Corrispondenze d’arte” Museo Revoltella Trieste 2011
Armenian Landscape
40 pigment prints, push-pins, cm 150×300 c.ca
Exibited: “Remote Sensing” CCEA Yerevan Armenia 2012
Dove comincia il Paesaggio (Pietre sul Carso)
Stones on Karst
9 pigment prints, acrylic on wood, cm 33×48 each
exibited: “Maravee Mind” Susans Castle, Majano UD 2017
La pietra del Carso occupa il posto di Giove
The Karst’s stone occupies the position of Jupiter
(after “Jupiter and Thetis” of D.Ingres, 1811)
Pigment print cm 40×60
La Pietra del Tempo e dello Spazio
The stone exists. It occupies the time and the space, in opposition to a simple
documentation of a performance.
Pigment print cm 40×60
Rügen
5 carbon-pigment prints, cm 40×110 each, and suggestions of use.
Exibited: “Twenty for one”, Special Project, 5 Moscow Biennale 2013
Passeggiata nel mio studio, alla maniera di Rothko
Walking in my studio, in the manner of Rothko
20 pigment prints, cm 60×42 each
Exibited: “Corrispondenze d’Arte” Museo Revoltella Trieste 2016
La mia mano sinistra mentre faccio Tai Chi
End of the Chinese Landscape
22 pigment and silver photographic prints, cm 300×500 c.ca